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    David Hatch and Stephen Millward describe pop music as "a body of music which is distinguishable from popular, jazz, and ♣️ folk music".[9] According to Pete Seeger, pop music is "professional music which draws upon both folk music and fine arts ♣️ music".[3] David Boyle, a music researcher, states pop music as any type of music that a person has been exposed ♣️ to by the mass media.[10] Most individuals think that pop music is just the singles charts and not the sum ♣️ of all chart music. The music charts contain songs from a variety of sources, including classical, jazz, rock, and novelty ♣️ songs. As a genre, pop music is seen to exist and develop separately.[11] Therefore, the term "pop music" may be ♣️ used to describe a distinct genre, designed to appeal to all, often characterized as "instant singles-based music aimed at teenagers" ♣️ in contrast to rock music as "album-based music for adults".[4][13]

    Pop music continuously evolves along with the term's definition. According to ♣️ music writer Bill Lamb, popular music is defined as "the music since industrialization in the 1800s that is most in ♣️ line with the tastes and interests of the urban middle class."[14] The term "pop song" was first used in 1926, ♣️ in the sense of a piece of music "having popular appeal".[15] Hatch and Millward indicate that many events in the ♣️ history of recording in the 1920s can be seen as the birth of the modern pop music industry, including in ♣️ country, blues, and hillbilly music.[16]

    In the 1960s, the majority of mainstream pop music fell in two categories: guitar, drum and ♣️ bass groups or singers backed by a traditional orchestra.[42] Since early in the decade, it was common for pop producers, ♣️ songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects. Some of the best ♣️ known examples are Phil Spector's Wall of Sound and Joe Meek's use of homemade electronic sound effects for acts like ♣️ the Tornados.[43] At the same time, pop music on radio and in both American and British film moved away from ♣️ refined Tin Pan Alley to more eccentric songwriting and incorporated reverb-drenched electric guitar, symphonic strings, and horns played by groups ♣️ of properly arranged and rehearsed studio musicians.[44] A 2024 study held by New York University in which 643 participants had ♣️ to rank how familiar a pop song is to them, songs from the 1960s turned out to be the most ♣️ memorable, significantly more than songs from recent years 2000 to 2024.[45]

    Before the progressive pop of the late 1960s, performers were ♣️ typically unable to decide on the artistic content of their music.[46] Assisted by the mid-1960s economic boom, record labels began ♣️ investing in artists, giving them the freedom to experiment, and offering them limited control over their content and marketing. This ♣️ situation declined after the late 1970s and would not reemerge until the rise of Internet stars. Indie pop, which developed ♣️ in the late 1970s, marked another departure from the glamour of contemporary pop music, with guitar bands formed on the ♣️ then-novel premise that one could record and release their own music without having to procure a record contract from a ♣️ major label.[48]

    Pop music has been dominated by the American and (from the mid-1960s) British music industries, whose influence has made ♣️ pop music something of an international monoculture, but most regions and countries have their own form of pop music, sometimes ♣️ producing local versions of wider trends, and lending them local characteristics.[53] Some of these trends (for example Europop) have had ♣️ a significant impact on the development of the genre.[54]

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