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In the late 1960s bands such as Silver Apples created electronic music intended for dancing.[7] Other early examples of music 😄 that influenced later electronic dance music include Jamaican dub music during the late 1960s to 1970s,[6] the synthesizer-based disco music 😄 of Italian producer Giorgio Moroder in the late 1970s, and the electropop of Kraftwerk and Yellow Magic Orchestra in the 😄 mid-to-late 1970s.[5]

Early synth-pop pioneers included Japanese group Yellow Magic Orchestra, and British bands Ultravox, the Human League and Berlin Blondes[citation 😄 needed]. The Human League used monophonic synthesizers to produce music with a simple and austere sound. After the breakthrough of 😄 Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based 😄 sound in the early 1980s, including late-1970s debutants like Japan and Orchestral Manoeuvres in the Dark, and newcomers such as 😄 Depeche Mode and Eurythmics. In Japan, Yellow Magic Orchestra's success opened the way for synth-pop bands such as P-Model, Plastics, 😄 and Hikashu. The development of inexpensive polyphonic synthesizers, the definition of MIDI and the use of dance beats, led to 😄 a more commercial and accessible sound for synth-pop. This, its adoption by the style-conscious acts from the New Romantic movement, 😄 together with the rise of MTV, led to success for large numbers of British synth-pop acts (including Duran Duran and 😄 Spandau Ballet) in the United States.

Terminology [ edit ]

Methylenedioxymethamphetamine (MDMA), also known as ecstasy, "E", or "Molly", is often considered 😄 the drug of choice within the rave culture and is also used at clubs, festivals and house parties.[214] In the 😄 rave environment, the sensory effects from the music and lighting are often highly synergistic with the drug. The psychedelic amphetamine 😄 quality of MDMA offers multiple reasons for its appeals to users in the "rave" setting. Some users enjoy the feeling 😄 of mass communion from the inhibition-reducing effects of the drug, while others use it as party fuel because of the 😄 drug's stimulatory effects.[215] Another drug para-Methoxyamphetamine (4-MA) also known as pink ecstasy, PMA, "Death" or "Dr. Death", it is similar 😄 to MDMA but they can take up to an hour to produce effects, which can result in hyperthermia and subsequently, 😄 organ failure. People who take PMA are often mistaken for it being identified as MDMA.[216][217]

^ Fikentscher (2000) , p. 5, 😄 in discussing the definition of underground dance music as it relates to post-disco music in America, states that: "The prefix 😄 'underground' does not merely serve to explain that the associated type of music—and its cultural context—are familiar only to a 😄 small number of informed persons. Underground also points to the sociological function of the music, framing it as one type 😄 of music that to have meaning and continuity is kept away, to a large degree, from mainstream society, mass media, 😄 and those empowered to enforce prevalent moral and aesthetic codes and values." ^ "Although it can now be heard in 😄 Detroit's leading clubs, the local area has shown a marked reluctance to get behind the music. It has been in 😄 clubs like the Powerplant (Chicago), The World (New York), The Hacienda (Manchester), Rock City (Nottingham), and Downbeat (Leeds) where the 😄 techno sound has found most support. Ironically, the only Detroit club which really championed the sound was a peripatetic party 😄 night called Visage, which unromantically shared its name with one of Britain's oldest new romantic groups".

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